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YouTube Monetisation Policy Update Targets Inauthentic Content and Raises Concerns Among Creators

  • July 20, 2025
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YouTube has recently updated its monetisation policy, prompting reactions from content creators and digital marketing experts who believe the changes, though minor, are being misinterpreted across social media. According to YouTube, the policy aims to provide clarity rather than enforce any radical shift. What was previously labeled as “reused content” has now been renamed “inauthentic content,” with the updated guidelines focusing more specifically on repetitive, overly produced, or mass-generated videos that lack originality.

The platform made the update to its YouTube Partner Program (YPP) guidelines on July 15, 2025. A brief notice on its official Help page explains that the update is intended to better articulate what constitutes inauthentic content and ensure that only creators producing genuine and original material are eligible for monetisation.

Talha Labib, who runs a social media marketing agency and manages several YouTube channels, stated that the update simply reinforces rules that were already in place. She noted that content failing to meet YouTube’s originality standards was previously not monetisable under existing policy. According to her, “some creators are overreacting, but the platform has always preferred authentic content. It’s not a new restriction—just a clearer definition.”

She also addressed concerns that the new label would reduce monetisation chances for some channels. Labib said YouTube already takes action against accounts using inappropriate language, promoting false news, or re-uploading content without value addition. The update, in her view, may prompt creators to become more thoughtful before uploading material, which is a positive step for content quality on the platform.

Digital marketeer and content strategist Anusha Asif pointed out that many channels compile videos by reusing clips from other creators, especially in Shorts. Under the new policy, such accounts may no longer qualify for monetisation. However, she also warned that even original channels might be affected. If the same clips from an original source are widely reused or mass-produced, YouTube may flag the channel itself, potentially resulting in a temporary ban or full removal.

While Labib maintains that original creators whose channels are struck down can appeal and restore them, Asif believes recovery is not instant. A restored account may take time to regain previous rankings, audience engagement, and monetisation metrics. She added that the long-term visibility and algorithmic trust may still be impacted.

The revised guidelines also bring into focus AI-generated content. When news of the update broke, creators feared that YouTube would broadly demonetise all AI content, especially low-effort or repetitive videos often labeled as “AI slop.” However, Labib clarified that YouTube is not banning AI videos entirely. Instead, the platform is targeting content like deepfakes or misleading outputs generated using AI tools. He suggested that creators clearly disclose the use of AI in their production process to avoid complications related to authenticity.

Shahrukh Malik, a tech expert and content creator, shared a dual perspective. As a viewer, he welcomed the move, saying the abundance of repetitive AI-generated videos has overwhelmed the platform. But from a creator’s viewpoint, he noted that this could reduce earning opportunities for those who relied on such formats. He likened the evolving policy enforcement to a feedback loop, where creators adapt new ways to monetize content and YouTube continually adjusts its detection methods.

While the changes may not introduce new restrictions, they do signal a more defined stance by YouTube in its ongoing effort to prioritize quality and originality. Creators are now expected to navigate the platform’s updated rules with greater care, especially when leveraging AI or compiling third-party material.

Source: Geo News

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Related Topics
  • AI videos
  • Anusha Asif
  • content creators
  • deepfakes
  • inauthentic content
  • monetisation policy
  • reused content
  • Talha Labib
  • Youtube
  • YouTube Partner Program
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Launched in 1967 internationally, ComputerWorld is the oldest tech magazine/media property in the world. In Pakistan, ComputerWorld was launched in 1995. Initially providing news to IT executives only, once CIO Pakistan, its sister brand from the same family, was launched and took over the enterprise reporting domain in Pakistan, CWPK has emerged as a holistic technology media platform reporting everything tech in the country. It remains the oldest continuous IT publishing brand in the country and in 2025 is set to turn 30 years old, which will be its biggest benchmark and a legacy it hopes to continue for years to come. CWPK is part of the SPIN/IDG Wakhan media umbrella.
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